Fernisering på Designer Zoo under Kulturnatten

Den kommende fredag byder ud over åbningen af Stine Bidstrup’s udstilling på Glasmuséet Ebeltoft, også på åbningen af gruppeudstillingen “helt ude i skoven” på Designer Zoo i København, hvor Stine Diness og Pernille Braun er blandt de udstillende.                                                                                                                                                                                                    Udstillingen åbner kl. 19 fredag d. 14 oktober, og varer til og med d. 9 november. Vel mødt!

Opening at Designer Zoo in connection with Culture Night
This coming friday features the opening of Stine Bidstrup’s exhibition at Glass Musuem Ebeltoft, as well as the opening of the group exhibition “completely in the woods” at Designer Zoo in Copenhagen, where Stine Diness and Pernille Braun are among the exhibitors.
The exhibition opens at 19.00 on Friday, October 14th and is showing until the 9th of November. Welcome!

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Udgivet iPernille Braun, Stine Diness | Tagget , , , | Kommentér

Studies in Search of Order and Chaos at Glasmuseet Ebeltoft

This coming Friday, October 14th 2011 at 4.30 pm, the Glasmuseum Ebeltoft will open its doors to Stine Bidstrup’s new solo exhibition entitled Studies in Search of Order and Chaos. The exhibition runs until Feb. 26th 2012.

INVITATION to the opening

From the museum website: Since 2007, Danish artist Stine Bidstrup has been working on a series of related works called Studies in Search of Order and Chaos. It is an ongoing work-in-progress project, inspired by her continued investigation of the connections between vision, body and the world around us.

Motivated by the idea of glass as a lense or a membrane, she uses its optical qualities to focus, distort, enlarge, reflect and transform the world and examines what it means to sense. Based on a fundamental fascination of the meeting between pattern and surface and pattern and volume, her blown pieces integrate different patterns.

My work begins with digital reworking of the grid and other geometrically organized and disorganized patterns from Western and Middle East culture. When connected with the elasticity typical of hot glass, I attempt to construct and build with a line in order to seize the form as a whole with a pattern.

Interference, overlaps and optical vibrations appear in the patterns but imperfection and gleams of coincidence can be seen in some of the details, as the pieces are handmade.

With a watchful eye on three dimensional illustrations of mathematical, physical concepts such as infinity, chaos theory and the infinite variations of certain patterns, I examine the use of ornamentation as an expansion of form and expression.


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